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Responding to Literature

The following book covers and alternate endings were created by students from Ms. Weaver's 2013-2014 Junior World Literature classes, giving their creative responses to the novel The Devil and Miss Prym by Paolo Coelho.

by Mark Shorthouse '15

 

This first cover art is a more classic and vintage design for the book. By having four frames, each with a silhouette of a character from the story, the idea of overlapping story lines and lives intertwined is expressed. To portray that the story of "The Devil and Miss Prym" is a timeless one and one that can be repeated throughout the ages, I made it look as though it were a set of portraits that have been hanging in a wall for a long time. Also, the use of a script-like text gives it a more personal and engaging feel. Overall, this book cover is meant to be a timeless and unique art piece to accompany the novel.

by Mark Shorthouse '15

 

This second book cover art is a much more modern and attention-grabbing piece. I have half of Chantal's face paralleling the lone wolf's face in order to show the similarities between these two characters. I did, however, make it appear antique and old in a way so as not to make it look too modern and clean. The text of the title and author are much more streamline and contemporary than the other one. This is to make it a little more unique and original. By having Chantal, one of the main characters from the novel, and the wolf, a side character with not much importance, the cover catches the readers eye and intrigues them to read the book.

Alternate Ending to The Devil and Miss Prym

 

by Ms. Weaver, English department

 

     As the women from the village walked away from her home, Berta noticed their silhouettes growing darker against the approaching skyline. It was a red sunset, a shade as bold as mortality, relieved only by the weak, soot-colored clouds that scattered in uneven streaks against the sky.      

     “And so I too shall be setting soon,” Berta whispered, her stale breath clinging to the window pane. She heard the voice again, the girl who must have died young. It had been so long since any child had lived or died in Viscos that Berta wasn’t sure what living person that voice had once belonged to. Once, several years ago, the voice had woken her from troubled dreams, and she wondered if maybe it had come from inside her own mind. But later that same day, the voice of the young girl repeated itself again: “God wept when I died. Tell him God wept.”

     Tonight, the girl was whispering again, clutching at her ankle.

     “What is it?” Berta asked. She had given up trying to figure out the girl’s name or age. She was young and too focused on what she needed to say.

     “Lead me into the woods,” the girl whispered, but the tone of her voice made it seem as though they had already been in the woods and going there was simply a way to recognize what had always been.

     As she walked into the woods, Berta felt the girl’s hands tugging at her apron, leading her to a Y-shaped rock with a mound of fresh dirt. Berta sat on the rock, since she had always been sitting on the rock, and waited, since she had always been waiting.

     She might have become a part of that rock if the stranger hadn’t stumbled through the trees, sweating under the weight of a large bag filled with ten gold bars. Berta looked at him, just as goodness looks into the face of a sinner. He feigned a polite nod and turned away from her, heaving the bag of gold onto his back.

     “The bag that you carry weighs as much as my flesh.” Berta had not stopped looking at the stranger, though he would not turn to face her as he replied.

     “Your flesh, my flesh, anyone’s flesh,” the stranger replied.

     “Not a young girl’s flesh,” Berta said. She felt the girls hands tightening, one wrapped around her knuckles and the other on her wrist. “God wept when your daughter was killed.”

     The stranger turned his face to Berta but didn’t set down the gold bars. Berta continued to speak but knew that the words were not her own.

     “She never cried during the kidnapping. She never asked your wife if they were going to live or die. The last thing she saw before the bullet entered her body was her guardian angel, reaching out his arms.” The girl had crawled into Berta’s lap, as children do when being read a bedtime story. This time, however, the girl was both storyteller and audience.

     “She saw two things after she died. At first, she stayed in the room, held by her guardian angel. She watched as one of the terrorists stood over her body, his hands tearing into his own hair and pulling his skin across his face. He was young, he would be a father soon too. He grabbed at the collar of another of the terrorists and the two men scuffled and struggled until the door broke down and the FBI agents poured in.” If Berta had looked at the face of the stranger, she would have seen his hands tearing through his hair and pulling at his skin, but she saw now only through the eyes of the child.

     “The second thing she saw was you. You were standing in your home, after hanging up on the phone call that told you that your family had been killed. You wept, but your tears were not your own. You screamed, but your cry was not your own. You fell to the ground, but your agony was not your own. As she watched you weeping, she could hear only the crying of God, who suffered in your suffering.”

     The girl touched Berta’s cheek and was gone. The stranger stood in silence, spine aching under the weight of the gold.

     “How long have you known my daughter?” he asked.

     “Since her death,” Berta replied. “But she doesn’t speak to me very often.”

     “God chose to weep for her but not to save her,” the stranger said, his demon raging in the presence of the girl’s guardian angels.

     “Man chose not to save her,” Berta said. “God chose to give man freedom. Without freedom, we wouldn’t know suffering. But without suffering, we wouldn’t know love.”

     “Will you let me ask my daughter a question?” the stranger said.

     “Will you weep for me once I am dead?” Berta replied.

     “Let me speak to her,” the stranger said. “And I will tell the town to save your life.”

     “You will weep for me, but you cannot save me,” Berta told him. “The choice, like my life, is no longer in your hands.”

     The old woman stood up and walked away faster than he expected, and being weighed down by the gold, the stranger quickly lost sight of her in the woods.

     He turned around and ran through the forest, taking the gold back to its original hiding place. I won’t show them the gold, the stranger thought. And then they won’t kill her.

     His hands and clothes were covered in dirt as he emerged from the woods. Chantal was there, walking through the place they first met, and he called to her to stop.

     “I will save her now,” the stranger said. “The gold is buried. Berta will live.”

     Chantal wrestled her arm away from his grasp. The stranger was sweating and looked as if he were a starving dog. He clutched her arm again.

     “She spoke to my daughter,” the stranger said. “She answered me.”

     Chantal tried without success to pull her arm away from him. His test didn’t matter to her anymore, the gold could stay buried.

     “They will kill her,” Chantal said, her voice rising in urgency. “Let go of me.”

     “I have the gold, and I have the answer,” the stranger said. The sun had almost vanished. Only a few streaks of mortal red lingered across the black sky.

     Chantal drove her elbow into the stranger’s chest, as she broke free, calling out Berta’s name and running toward the monolith. She could make it in time, she would make it in time. Berta would live because that’s what was mean to happen, that’s what had already happened. She was alive, she was always alive.

     The stranger ran faster than she did, so he was standing at the monolith before she arrived. Berta’s blood was soaking into the ground near his feet, and the townspeople were demanding the gold.

     “You fools,” he wept. “You fools!”

     “You promised us the gold,” the mayor shouted.

     “You made them kill for it,” the priest said, reminding the townspeople of their guilt.

     “Fools!” the stranger cried. “You are fools just like me. A fool who made fools, a wolf who made wolves.”

     The stranger turned to Chantal and grabbed her wrists. “She spoke to my daughter,” he repeated. “She spoke to her. And now I have murdered my daughter all over again.”

     Chantal made no attempt this time to pull her wrists away. She waited until the stranger fell to the ground before going to Berta’s body and placing a hand over the dead woman’s eyes.

     The murmurings and shouts of the townspeople grew louder and louder, only to be silenced by the vacant cry of the rogue wolf. For a moment, they stood in silence, listening to the howl of the animal as it was echoed by the howl of a man, kneeling in the dirt and weeping for his child. “That wolf is dead,” the stranger pronounced. “It has always been dead. I will kill the rogue wolf, because I have already killed it.”

     As the stranger reached for one of the shotguns, none of the townspeople made any effort to stop him and no one explained that the guns had an equal chance of holding blanks or holding bullets. He fled into the depths of the forest, seeking his atonement.

 

     Chantal saw to it that Berta received a proper burial in the village cemetery. No one objected when Chantal moved her belongings from the hotel into Berta’s house, and no one commented when the priest said he would be taking a leave of absence. He promised them that a replacement would soon arrive, but when it didn’t, the town still didn’t object.

     A few of the townspeople left Viscos in the months following Berta’s death.

     “Folks might start asking questions,” the mayor said. “And folks might not keep their mouths shut for long.”

     The blacksmith saw to it that a fountain was built in Berta’s memory, and a few of the townspeople stood in front of it each day, remembering their guilt.

     Sometimes the townspeople would break into fights that would end in bloody noses and teary eyes. Sometimes the townspeople would sit outside, telling stories about Ahab and St. Savin and wondering what the punishment would have been if Ahab had killed St. Savin that night, wondering what their own punishments would be.

     A few of the townspeople tried to search the forest for the gold, but the forest was too vast and the gold was now too dull to fill their desire.

     Chantal sat on the front step of Berta’s porch, watching and waiting for good to return to Viscos. Ever since Berta’s funeral, Chantal had been having conversations with the old woman, telling her about the townspeople and listening to her warnings about the future of the town. One day, she was visited by Berta and her husband. Another day, Chantal’s grandmother sat next to her, silent the whole time but resting her hand in the crook of Chantal’s arm. When she heard the stranger’s voice, she nodded in reply, letting him know that she understood his mind and she accepted his apology. He told her where the gold was hidden, and he warned her of the rogue wolf’s lair, but Chantal sat on the front porch, watching over the village. She listened to the townspeople tell legends of a hidden treasure in the forest, and she watched as tourists came to scour the land in search of the unseen gold.

     When a young treasure-hunter offered to take her to far and exotic lands if she could offer any clues as to where the gold was hidden, Chantal paused.

     “The gold does not exist,” she told him. But after he thanked her, he headed straight towards the forest, and Chantal watched as his silhouette approached the skyline, growing darker against the red of the sky.

Alternate Ending to The Devil and Miss Prym

 

by Sean Airesman '15

 

     The priest gestured to one of the men, who approached carrying a plastic bottle.

     “Take these pills. You'll soon fall asleep and when you wake up, you'll be in heaven, with your husband.”

     “I've always been with my husband and, despite suffering from insomnia, I never take pills to get to sleep.”

     “So much the better; they'll take effect at once.”

     The sun had disappeared, and darkness was beginning to fall on the valley, the church, and on the entire village.

     “And what if I don't want to take them?”

     “You'll take them just the same.”

     Berta looked at the three men and saw that the priest was right. She took the pills from him, placed them in her mouth and drank the entire bottle of water. She looked once more at the mountains, now covered in darkness. She saw the first star come out and thought that she had had a good life; she had been born and would die in a place she loved, even though it seemed that her love was unrequited, but what did that matter? Anyone who loves in the expectation of being loved in return is wasting their time.

     She had been blessed. She had never been to another country, but she knew that here in Viscos the same things happened as everywhere else.

 

     The sky began to grow bright. Berta lied back in her chair as the three men in front of her stepped back. A beeping was heard. It grew louder, faster. The voices in front of her grew muffled, but were concerning. She could make out few of their words.

     “She’s having a reaction to the medicine!” One of them shouted.

     The world around Berta grew colder and smaller. The view she once enjoyed morphed into a white wall. She found herself being lifted onto a bed.

     The world flew past her. Bright white halls where Viscos once was, or at least she thought it was. She had never left her home in years. Where exactly was she?

     A familiar face followed Berta. It came closer. To her surprise, it wasn’t her husband, but Ms. Prym.

     “She’s going into cardiac arrest!” One of the men shouted. When did he put on a white coat? Berta thought. She tried to speak, but no words came out. She glanced over at Ms. Prym for some kind of answer. All she saw was the worried face of a daughter she never had.

     Chantel followed Berta as the doctors took her into the emergency rooms. Following procedure, she tried her best to keep her friend with them. Being the oldest around, Chantel knew this day would come. If only it wasn’t this soon. Berta was rushed into the emergency care. Dr. Goulde, the newest doctor at the facility, was a stranger to Berta. Nonetheless, he worked as fast as he could to help this woman. The anesthesiologist was next to come in the room with his tank of gas. Dr. Wolfe, a private practitioner, was hired out by the facility. He essentially was a rogue doctor. The priest began his blessings as Berta began to shake uncontrollably. Dr. Wolfe struggled to put on her intake mask while Dr. Goulde tried to hold her down. All Chantel could do was hopelessly watch.

     Before she knew it, the line went flat. A loud consistent beep echoed through the room as everyone grew silent. Dr. Goulde, who Chantel had grown close with the past few days he arrived at the facility, came up to her.

     “I’m sorry, but we did everything we could to help her.” He put his hand on her shoulder. “I knew you were close with her, but in this field of medicine you can’t get close to any of your patients.”

     Chantel bowed her head in shame. She knew he was right, but she wanted him to be wrong.

     “It’s fine. If only she took her medicine, the reaction wouldn’t have came as such a shock to Berta…”

     Dr. Goulde walked out, along with the four others in the room. It was all over, and the facility’s longest residing patient had finally passed away.

     Chantel had sat down at her desk to prepare Berta’s files to be archived. As she collected all the papers together in a neatly organized beige folder, Chantel reminisced on the time she spent with Berta.

     Chantel would spend hours upon hours with Berta, as she was told story after story of the old woman’s life. Berta told Chantel stories about how much of a saint her husband Sabin had been or how great of a mayor her son Ahab was in her old village. After their deaths, however, Berta was admitted to the facility. Some say she had cracked, but with how much detail she spoke of her husband or those around her, it was like he was still alive and with her until her death.

     Chantel sighed. Berta could always see the good in those around her. Even though she could see the bad in them as well, Berta would say that everyone was capable of good, just like her son had been. Chantel took Berta’s files and walked down the hall to the archive room.

     Chantel knew that Berta should have taken her medicine. Chantel would always sit and talk with the old woman instead of forcing medicine down her throat. Berta was happy with what was around her. Even sitting in her room the whole day, she looked forward of telling Chantel how great of a day it was or a story or two of her husband and son. Chantel couldn’t destroy what made Berta happy. As Chantel carefully placed Berta’s file in one of the many filing cabinets in the archive room, she began to cry. Berta was the only one in the facility who treated Chantel with kindness and acceptance. Some of the other patients say she’s doing the devil’s work. Berta was the only one who saw the good in Chantel. She was like a mother. A mother Chantel would never be able to see again. Chantel closed the drawer and walked out of the archive room.

     The words Dr. Goulde had said earlier that day echoed in her mind. Chantel knew that she couldn’t get close with any of her patients again, regardless whether they were good or bad. She had a job to uphold. Dr. Goulde rushed up to her while she reached her desk.

     “Nurse Prym, we’re needed immediately in the emergency room!”

     The two ran together down the hall to the emergency room. In the back of her mind Chantel knew that it was just another day in the Viscos Home for the Mentally Insane.

by Nick Porter '15

 

For my cover of the book I primarily worked in photo shop. I used a background of a village in the mountains to represent Viscos. The image of the woman and the wolf represents “Chantal” and the rouge wolf, to show the battle of good and evil in the book. In the bottom right corner you can see a hooded man with an image of the devil behind him, this represents the stranger and how Berta said she saw the devil on his back when he came to town. In the top left and you can see a picture of a woman digging up a gold bar. I used all these images together to show some of the main events in the story, and what the story is about.

by Paul Cardone '15

 

My book cover for the story "The Devil and Miss Prym" is represented by the stranger, the woman who finds the gold and the rogue wolf. The woman is following the stranger out of her lust for the gold, and the rogue wolf is following the woman out of his lust for blood.

by Mitchell Taufer '15

 

In the story "The Devil and Miss Prym", Berta the old harmless and innocent lady who lives in Viscos is about to experience a disaster. A man comes to the village and offers Chantel and the village people a lot of gold to kill someone. As expected, they went to kill Berta since she was old and week. My picture shows that a person will easily go behind your back for money, clothes, or in this case gold etc. In this day and age greed is a big issue. The picture shows a village man backstabbing Berta and going against her just for the gold. The gold bars spiratically placed throughout the picture represent what they wanted.

by Mary Tresky '15

 

The cover picture I drew shows the stranger (in the black) with the devil in the background. As said in the beginning of the book, Berta sees "the stranger come into the town with the devil on his shoulder and no angel to be seen." The eleven gold bars play a significant part in the book. The stranger enters the town with eleven gold bars. The stranger tempts Chantal and the town with the gold bars.

by Reed Relosky '15

 

I did this book cover to show the relationship the stranger had with the town. The stranger went to a town and offered up 10 gold bars if the town killed someone. The stranger also represents the devil trying to see if people are good or evil. The devil tried to force Jesus to go against God and the stranger tried to convince Chantal to turn against the town. The good represents the angle wings.

by Blaine Adams '15

 

In my picture I have the name of the book in fancy letters. I havechose to put the name devil in red because in the book the strangertries to get the people of the town to murder someone. In which thatswhy I put the name devil in red. Also in the middle of the picture isa half man and half wolf. I believe that the stranger is just like thewolf and wants the bad in everything. The wolf symbolizes the devilalways wanting to grab another human and drag him down. Also aroundthat I have the gold bars. This played a big role in the book. Thestranger told the townspeople that once they murder someone that hewill tell them where the gold bars are. Also i kinda tried to softlycolor the background the color red because I believe that if thepeople agreed not to shoot Berta they would have killed her.

by Matt Hartzell '15

 

I chose to do this book cover because of the rogue wolf part of the story. The stranger was a huge part of the book and is the main character of the story. I think this book cover really shows a main plot-line that involves the book in a positive way. The wolf is a very sly creature and just like the stranger in this way. I think this is a very good cover to represent the story.

by Clayton Crabbe '15 

 

My book cover features Berta, the Rogue Wolf, and the priest. These are 3 of the most important characters in the novel, which is why I picked them to be on the cover. The wolf is in the middle because it looks pretty sweet. The background is gold bars because gold bars play a pivotal role in the story. They are the motivation for a whole town almost committing murder. 

by Julia Martin '15

 

My cover has many symbols on it. The cover and the pictures could be interpreted however you want it to be. The gold was used as the background of my cover because gold plays a big role in my idea of the story. Gold is used in the story to show how Chantal had to make one decision on the other. The gold brings out the characters' true morals. I used the devil image because the devil's temptations constantly came upon the characters. The devil is always following Chantal throughout the story. I used a picture of Jesus because Jesus is always by Chantal's side. Jesus was always by Chantal and the rest of the characters to give them strength to not kill anyone. I placed the picture of Chantal digging gold in the middle. I did this to show how she was always stuck in the middle between good and evil. Overall, these are the messages I am trying to show in my cover.

by Alec Hnat '15

 

I created this book cover which took a good amount of time to cut out the pictures and blend them and get them looking decent. I have the girl there to represent Prym then the giant dog devil thing in the bottom is suppose to represent the stranger, the devil, and the rogue wolf all together. Then I actually have a wolf for the purpose of the rogue wolf. Then I put the ten gold bars in there to represent the gold the stranger offered the town, and the one gold bar is there which is the one that Prym was given also.

by Nate Jancosko '15

 

I did this book cover because of the main articles of the story. I chose this background to represent the desolate village. I chose to place gold in my cover because of the 11 gold bars that are a major part of the book. I put a wolf in the picture to symbolize the rogue wolf that plays a key role in the story.

© 2017 by Bishop Canevin Oracle

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